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Nix Comics Record Wrap!

While in previous years I kept track of the records that I listened to on a daily basis, this year I didn't feel like keeping track.... Though when people started talking about their "Spossify wraps" and the new "listening Age" thing that was tied into it, I felt like maybe I should do something to talk about the expression of my musical tastes in 2025. It occurred to me that while I didn't do a log of everything-what-I-listened-to, I did by track all the records that I bought! So here it is... a wrap on the vinyl goodies that managed to pull money outta my cheapskate mitts!


Total Records Purchased: 137 So this total includes only the records that I know I'm keeping for a while. (There was a handful of 45s that I bought for the Sketchbook Picture Sleeves project.) 137 feels like a lot of records. Skip to the bottom of this page if you want the complete list. Over two and a half a week if you average it out, though it was a lot clumpier than that. I keep thinking I should adopt a one-in-one-out approach to save room in my home. I also keep thinking that selling some off wouldn't be a bad idea.


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Where I Bought Records:

It's mostly still about the thrill of the hunt for me. I like digging through a pile of records and finding something cool and unusual. Mostly when I buy stuff on-line, it's new stuff on-line from friends, small distros/mail orders, or direct from artists. (That said I went a little crazy when I saw that I could just about complete my Original Sins collection at the Get Hip Store.) It's a little interesting that I had so much luck at Antique Malls this year. Ordinarily I dig out of habit at such places, to scoff at the pricing and selection in my mean hipster way. This year I actually found some great stuff. congrats on stepping up your booth game, antiques mall community!

Anyways, here's the breakdown:

Brick and Mortar Store: 69 Record Show/Fair: 36

Antique Mall: 16 On-Line: 17


Size Matters? 12" vs 10" vs 7"


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I feel like I usually buy a lot more 7" records in any given year than album sized records. (7" bins are my favorite places to dig because most other collector nerds ignore them. They are the best place to find rarities in a record store.) Anyways, that's just an assumption on my part and the tale of the tape says "not so" in 2025.


Number of Records by Format:

12": 73 (6 of which were double LPs)

10": 2

7": 63


I wonder how much of this change was driven by a change in my home set up. I've moved a bunch of records upstairs so that I have better access to listen while I work. This has led to less of a focus on listening to 7"s. It's just more comfortable in the listen to LP length records in a work-a-day situation. It's a lot rarer that I'll indulge in playing a pile 7"s these days, which I think is an unintended consequence.


New vs. Used

It's not lost on me that my proclivity towards used records is in direct conflict with my indignance over the pittance paid to artists by Spossify and other music streamers. I'm a cheapskate, but I think artists should get paid for their work. When I by a used record, the artist gets 0 cents instead of the fraction of a cent they'd get if I played a record a few times on a streaming platform. I won't claim to have the solution to this bit of cognitive dissonance. It's just going to have to be a recognized lapse in my moral fiber. (FWIW: 9 of the 27 "new" records were what I'd consider new-new, released 2024 or later.)


I have no method for (or interest in) calculating my "listening age." That said, I do think the age of the records I purchased are telling about my tastes and my past. My taste veers towards the old fashioned. Stuff that was probably old even when I was young. I love mostly 50s, 60s, and 70s music, but I didn't become an active music buyer until the 80s and not a heavy consumer until the 90s. Reflectively, most of the records I purchased in 2025 are 30 or more years old! Also interestingly, records between 5 and 25 years old are the ones I purchased least frequently. I suspect that this is because between 5 and 25 years ago I was at least a part time reseller and didn't miss much of the then new stuff that I wanted. (I do miss paying wholesale to support my habit!)


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New Records: 27

Used Records: 111


Age of Records Purchased:

Mean: 32 Median: 32

Mode: 29

Min: 0 (New) Max: 66

Only 2 unknown.




Local vs Not

I've paid new attention to purchasing local artists this year. I've not been great about it, though its something I'd like to say I am at least good at. Historically, when I went out of the house more, I'd pick up records at shows. Nowadays I'm a hermit and not even sure which bands and artists I'd like enough to buy their stuff. I think maybe one of New Year's Resolutions will be to buy twice as maybe local records.


Anyways, defining "Local" is always a bit sticky. Does it mean artists from Columbus? From Franklin County? All of Ohio? How long does the artist have to have loved and lived here to count? Do records on labels from Columbus by bands from out of town count as a "local record?" FWIW, I say naw on the record label thing and think the other metrics are a matter of degrees.


Bah! Now I gotta label things and I hate labels. Here we go anyway:


Not Local (117 records): Records where the artist(s) have no ties to Ohio or Columbus.

Local: (8 records): Records by artists who have loved and made music while living in the "Columbus area," a term that I leave deliberately ambiguous.

Local-Ish: (5 records): Records by artists who split the Columbus Area and whose recording careers predominantly occurred after they left. (Looking at YOU Dwight Yoakam...) Or records on labels with Columbus Area connections.

Ohio (7 records): Records by artists with Ohio ties.


2025 Favorites:

I've said on previous blog posts and on social media that I'm horrible at picking favorites. I felt a little obligated to in the context of an annual wrap, but I think it's fair to say that I enjoyed every record that I purchased in 2025. A lot. Nothing really stood out as being vastly superior to anything else... So I'm really just winging it here.


Favorite 12" Record: Various Artists: Swing For A Crime Picked this collection of stone-cold-killer noir-esque beat-ish songs and sound clips in Athens George. The gruesome pulpy graphics on the jacket are the reason I picked it as my favorite.


Favorite 7": Human Switchboard: Prime of My Life

Picked up this little bit of Ohio punk rock history at one of the Lost Weekend Records parking lot sales from Vinyl Shock Records. It's got a little bit of water damage (pic below is a grab from Discogs, not my copy) but the price was right I just couldn't resist it.

Favorite Local record: Tie: Ugly Stick Self Titled and Red Velvet Let Down Bottle of Booze (And A Shotgun)

I started out by saying that I'm bad at picking favorites, right?! Well here's proof. I couldn't pick just one favorite local record that I purchased. The Ugly Stick LP is a reissue of a cassette that came out in 1989. I remember that cassette lurking around the Brazilia coffee house when I first moved to Columbus, played by one or more of my coffee jerks. So happy that I now have it on wax! Picking up the Red Velvet Letdown 7" was a no-Brainer... Drummer Kent Groswiller is a past Nix contributor after all! Also, (bassist) TJ Steppe and I have been in each other's orbit since before the Trash Brats played at Rudy Goose Comics and I was surprised when TJ posted on-line that he had never been in a band released on vinyl before. Congratulations on a great record guys!


Honorable Mentions and Caveats:

I don't have guilty pleasures, but I do recognize that some of my collection choices are head scratchers. I picked up this Jeff Conaway record because I think he was a great actor. Everything he was in, from Grease to Taxi to Babylon 5, was made better by his performance. It's probably my favorite WTF? choice.


Also, I've ordered but not yet received my copy of Wreckless Eric's new "England Screaming" record. Based on what I've heard on-line and my general love of his past work, I suspect that this will bump "Swing for A Crime" once it arrives.




The Complete List:

Artist

Title

Label

1-4-5s

Rock Invasion

Estrus Records

5.6.7.8's

Teenage Mojo Workout

Time Bomb Records 

Asphalt Jungle

Planté Comme Un Privé

Skydog

Bamboo Kids

Suck The Life Out Of Me b/w Right On

Pro-Vel Records

Bangles

Doll Revolution

Real Gone Music

Beat Happening

Look Around

Domino

Billy Childish & The Chatham Singers

Step Out!

Spinout Nuggets

Bloodshot Bill

Get Loose Or Get Lost

Goner Records

Boyce & Hart

Alice Long (You're Still My Favorite Girlfriend)

A&M Records

Boys From Nowhere

The Bridal Album

Skyclad Records

Buck Owens And His Buckaroos

(It's A) Monsters' Holiday

Sundazed Music

Carl Perkins

My Kind Of Country

Mercury

Carnival Season

Won't Get Heard

Rats-Bane Records

Catholic Boys

Hurt To Hate

Bancroft Records

Catholic Boys

Dead Ball

Trick Knee Productions

Chris Spedding

I'm Not Like Everybody Else

RAK

Cookies

Chains / Stranger In My Arms

Dimension 

Coyote Men

Two Sides Of The Coyote Men

Estrus Records

Cynics

Stranded In Madrid Live At The Ya'sta

Impossible Records

Dave Edmunds

Born To Be With You

RCA Victor

David Johansen

David Johansen

Blue Sky

David Johansen

King Of Babylon

Passport Records

Davie Allan & The Arrows

Cycle-Delic Sounds

Tower

Diaboliks

Itching For Action

Dionysus Records

DM Bob & The Deficits

Bad With Wimen

Crypt Records

Dr. Feelgood

Sneakin' Suspicion

Columbia

Dwight Yoakam

I Sang Dixie

Reprise Records

Dwight Yoakam

It Only Hurts When I Cry

Reprise Records

Dwight Yoakam

Brighter Days

VIA Records , Thirty Tigers

Emperors

I Want My Woman

Beatrocket

Equals

Baby Come Back / Hold Me Closer

Collectables

Feelers 

Learn To Hate The Feelers

Dead Beat Records

Fire Dept. 

L' Auf D'or

M'lady's Records

Flamin' Groovies

Grease

Jungle Records

Flamin' Groovies featuring Chris Wilson

A Collection Of Rare Demos & Live Recordings

Marilyn Records

Fleshtones

Soul Madrid

Impossible Records

Gaunt

I Can See Your Mom From Here

Thrill Jockey

Gaunt

Kryptonite

Thrill Jockey

Gonn

Fellow Slave / The Wind

MCCM Records

Gravel

Not Alive

Estrus Records

Harlow Wilcox And The Oakies

Groovy Grubworm

Plantation Records

Hives

The Hives Forever Forever The Hives

Play It Again Sam

Hollywood squares

Hillside Strangler: Restrangled

Rave Up Records

Hoodoo Gurus

Like Wow-Wipeout

Big Time

Human Beinz

Nobody But Me

Capitol Records

Human Switchboard

Prime Of My Life

Square Records

Hysteric Narcotics

Never Do Know / I Ain't Gonna Eat Out My Heart Anymore

Raffscallion Records

Jalla Jalla

Hospital Waltz / Jukebox Jive

Twang! Records

Jeff Conaway

Jeff Conaway

Columbia

Jeffrey Lewis

A Turn In The Dream-Songs

Vintage Voltage

Jenny Mae

A New World Record

American Pop Project

Jerry Lee Lewis & Linda Gail Lewis

Roll Over Beethoven / Secret Places

Smash Records, Mercury

Joe Ely

Lord Of The Highway

Hightone Records

Joe Ely

Dig All Night

Hightone Records

Joe Ely Band

Live Shots

Southcoast Records, MCA Records

King Khan & BBQ Show

Live At Izola

Lathesville

Kwyet Kings

Cherrypie

Screaming Apple

Kwyet Kings

Been Where? Done What?

Screaming Apple

Link Wray

Rumble (1956-62)

Acrobat

Little Richard

Try To Help Your Brother

Mainstream Records

Little Willie John

Leave My Kitten Alone / Let Nobody Love You

King Records 

Long Ryders

I Had A Dream

Zippo Records, Demon Records

Louis Prima With Gia Maione & Sam Butera And The Witnesses

Prima Show In The Casbar

Prima Magnagroove

Maharajas

Opposites Attract

Chaputa! Records

Marianne Faithfull

Summer Nights / The Sha La La Song

London Records

Mitch Ryder & The Detroit Wheels

Too Many Fish In The Sea & Three Little Fishes  / One Grain Of Sand

New Voice Records

Mo-Dettes

Paint It Black

Deram

Mondo Topless

I Want To / Real Gone Girl

WorryBird Disk

Mono Men

Mystery Girl

Estrus Records

Mortals

The One

Shake It! Records

Nick Lowe & His Band

Go 'Way Hound Dog

Yep Roc Records

Ohio Express

The Very Best Of The Ohio Express

Buddah Records

Original Sins

Big Soul

Bar/None Records

Original Sins

Alice D.

Psonik Records

Original Sins

Move

Psonik Records, Skyclad Records

Original Sins

Get You There / Come On Up

Chaos Records 

Original Sins

American Cheese Product (4 Slice EP)

Bedlam

Pack

Pack

Ugly Pop Records

Paley Brothers

Tell Me Tonight

Sire

Patti Smith

Looking For You (I Was)

Arista

Peach Kelli Pop

Peach Kelli Pop

Burger Records

Penelope Houston And Her Band

Glad I'm A Girl

Iloki Records

Phil Seymour

Phil Seymour

The Boardwalk Entertainment Co

Piranhas

The Piranhas

On/On Switch

Plasticland

Wonder Wonderful Wonderland

Pink Dust

Police

Nothing Achieving / Fall Out

Illegal Records 

Pretenders

I Go To Sleep

Real Records 

Pretenders

If There Was A Man

Warner Bros. Records

Prisoners

The Last Fourfathers

Big Beat Records

Prisoners

Hurricane 

Busy Bee Production

Purple Merkins

Dig It !

Dionysus Records

Red Velvet Letdown

Bottle Of Booze (And A Shotgun)

Not On Label (Red Velvet Letdown Self-released)

Renegades

Cadillac / I Was There

Norton Records 

Revillos

Attack!

Superville Records

Robin Luke

Susie Darlin' - Volume 1:The Rockin' Fifties 

Bear Family Records

Ronald Koal And The Trillionaires

Ronald Koal And The Trillionaires

No Other Records

Roy Head

Wigglin' And Gigglin'

Back Beat 

Sam The Sham & The Pharaohs

Ring Dang Doo / Don't Try It

MGM Records

Sammi Smith

He's Everywhere / This Room For Rent

Mega 

Sammy Masters

Rockin' Red Wing / Lonely Weekend

Lode

Satan's Pilgrims

Live at Jackpot Records

Jackpot Records 

Scruffy The Cat

Boom Boom Boom Bingo

Relativity

Scruffy the Cat

Tiny Days

Relativity

Sean Tyla

Sean Tyla's Just Popped Out

Polydor, Zilch

Seeds

Fallin' Off The Edge

GNP Crescendo

Shades Of Blue

Oh How Happy

Impact Records 

Shonen Knife

Pretty Little Baka Guy + Live In Japan!

Rockville, Gasatanka Records

Sir Bald Diddley And His Right Honourable Big Wigs

Get Ahead Get A Fez!

Alopecia Records

Southern Culture On The Skids With Don Howland

Tantrum

Sympathy For The Record Industry

Southern Culture On The Skids With Don Howland

Cockroach Blues

Sympathy For The Record Industry

Split: Betty Machete And The Angry Cougars / Howling Commandos

Twelve Bone Rattling Tales Of Terror

ColumbusBlood Records

Split: Pee Wee Herman / Surf Punks

Surfin' Bird / My Beach

Columbia

Split: Popdefect  /  The Outsideinside

Strychnine / Psycho!

Dionysus Records

Split: The Floyds Of Flatbush  /  The M-80's

You're Mine / I Can't Be True

Black Lung

Standells

Riot On Sunset Strip

Tower

Stevie Wonder

Living For The City

Tamla

Streetwalkin' Cheetahs Meet Cherie Currie

Cherry Bomb

Alive Records

Supersnazz

Diode City

Time Bomb Records 

Suzi Quatro

Rock Hard

Dreamland Records, Inc.

Teengenerate

Live At Shelter

Ugly Pop Records

Thee Shams

Gotta Be Something / Go On Livin

Licorice Tree Records

Tommy Tucker

Long Tall Shorty

Checker

Ugly Stick

Ugly Stick

Good Times Rock 'n Roll Club

Universal Vagrants

Universal Vagrants

Get Hip Recordings

Various

Las Vegas Grind Volume Four

Strip

Various

Swing For A Crime

GMG

Various

Wild Original Rock And Roll

White Label Records 

Various

Show Me  What You Got!

Candy Records 

Various

Nobody To Love (Mid-60s Teen Folkpunk: 18 Tales Of Tension & Trauma)

Teenage Shutdown!

Various

Breaking Glass: Garage Rock From Toledo Ohio

Culture Clash Records

Various

Ho-Dad Hootenanny Too!

Crypt Records

Various

Wild Things (New Zealand Freakbeat 1966-1968)

Vostok 

Vibrasonic

If I Were A Rich Man

Get Hip Recordings

Wanted

Lots More Where You Came From 

Detroit Sound

William Bell

I'll Show You / Monkying Around

Stax

Woggles

The Big Beat

Wicked Cool Record Co.

Wreckless Eric

England Screaming

Tapete Records


 
 
 
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